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Posted by Joni Bovill:

I live in Los Angeles, but I'm from McComb, MS, and never knew this marker existed. Thank you for making it possible to learn about how my little hometown is a part of the rich musical history in the great state of Mississippi.


Bo Diddley

Bo Diddley - McComb

Acclaimed as a founder of rock 'n' roll, Bo Diddley (Ellas Bates McDaniel) was born near Magnolia, south of McComb, on December 30, 1928. Diddley wrote and recorded such hits as “I’m a Man,” “Bo Diddley,” “Say Man,” and “Road Runner.” The distinctive rhythm of his “Bo Diddley” beat and his pioneering use of electronic distortion were widely influential. His songs have been covered by Buddy Holly, the Rolling Stones, The Who, Eric Clapton, and many others.

Bo Diddley, one of the most unconventional yet influential figures in the history of American popular music, was born in Pike County, the son of Ethel Wilson and Eugene Bates. In the mid-1930s he moved to Chicago with his mother’s cousin, Gussie McDaniel, who had raised him from an early age. In Chicago he took up the violin and at age twelve received his first guitar. His unique approach to guitar, he recalled, stemmed largely from his attempts to imitate the sound of a bow on a violin.

As a teen Diddley began playing for tips on the streets and eventually in clubs with groups that included blues recording artists Jody Williams and Billy Boy Arnold. To achieve his own sound, Diddley rebuilt guitar amplifiers, constructed a tremolo unit out of a clock spring and automobile parts, and enhanced the group’s rhythm by adding maracas and drums.

In 1955 Diddley made his first single for Chicago’s Checker Records. Both sides were hits: “I’m A Man” was a bold declaration of pride at a time when many whites referred to an African American man derogatorily as “boy,” and was covered by Muddy Waters as “Manish Boy,” while the flip side, “Bo Diddley,” spotlighted his trademark beat, which was similar to a traditional African American slapping rhythm known as “hambone.” Diddley said he traced his variation back to Pentecostal church services, and his younger brother, the Reverend Kenneth Haynes, recalled Bo singing the rhythm as a child. The name “Bo Diddley” was used by various black vaudeville performers prior to his birth and was suggested as a more colorful stage name than Ellas McDaniel when he recorded.

Diddley, Fats Domino, Little Richard, and Chuck Berry were among the few African American artists to achieve crossover stardom in the 1950s rock’n’roll market, and many bands adopted Diddley’s songs and beat. Diddley’s guitar sound became part of the basic vocabulary of rock, influencing guitarists including Link Wray, Jimi Hendrix, Led Zeppelin’s Jimmy Page, and The Who’s Pete Townshend, while his early ‘70s funk recordings have been sampled by hip hop artists such as De la Soul and Method Man.

A member of the Blues, Rock and Roll, and Rockabilly Halls of Fame, Diddley received Lifetime Achievement Awards from the Rhythm & Blues Foundation, the National Academy of Recording Arts & Sciences, and the Mississippi Governor's Award for Excellence in the Arts. Rolling Stone magazine's “100 Greatest Artists of All Time” list in 2004 included Bo Diddley at No. 20.

content © Mississippi Blues Commission

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