Many of the most important recordings in blues history were made at the studio of Paramount Records, located here on the grounds of the Wisconsin Chair Company factory. Between 1929 and 1932 Mississippi-born blues pioneers including Charley Patton, Tommy Johnson, Skip James, Son House, the Mississippi Sheiks, Willie Brown and Henry Townsend traveled north to record here.
Paramount Records was founded by the Wisconsin Chair Company in 1917, during an era when 78rpm records were often sold at furniture stores to promote sales of phonographs and phonograph cabinets. A pressing plant was established at this location, and recordings were initially produced at its New York Recording Laboratories studio in New York City, and by the early 1920s at the Marsh Laboratories in Chicago, where African American producer J. Mayo Williams supervised many recordings. In 1929 a studio was opened at the facility in Grafton.
Paramount recorded a wide range of music, but today is most famous for the blues recordings it began making in 1922. Mamie Smith’s 1920 hit, “Crazy Blues” on OKeh Records, had alerted record companies to the sales potential of female African American blues vocalists, and Paramount followed suit by recording leading vaudeville women including Ma Rainey and Ida Cox. In 1926 Paramount introduced a new phase in blues recording history when the success of its releases by Blind Lemon Jefferson and Blind Blake revealed a market for male singers who accompanied themselves on guitar. The label’s catalogue also featured the New Orleans jazz sounds of Jelly Roll Morton and religious recordings by the Reverend J. M. Gates, the Norfolk Jubilee Quartet, and others.
To locate talent in the South, Paramount employed field agents, including H. C. Speir, who owned a furniture and music store in Jackson, Mississippi. Speir canvassed the state for talent, made test recordings, and helped to arrange for artists to travel north to record. The most significant of his discoveries was Delta blues pioneer Charley Patton, who recorded over forty songs for Paramount. Other Mississippi-born artists who recorded for the label included Tommy Johnson and Ishmon Bracey, the most important bluesmen in the Jackson area; Henry Townsend, who became a leading bluesman in St. Louis; and Robert Johnson’s mentor Son House, who traveled with Patton, Willie Brown, and Louise Johnson by car to a historic session in Grafton in 1930.
With the arrival of the Great Depression record sales declined significantly, and in the summer of 1932 Paramount closed its studio. The factory shut its doors the following year. Paramount subsequently achieved legendary status among historians and record collectors, including John Steiner, who purchased the label in the late 1940s, and John Tefteller, who decades later uncovered a treasure trove of Paramount advertising images. The Grafton Blues Association, founded in 2006 to celebrate Paramount’s legacy, staged the first annual Paramount Blues Festival that year.
content © Mississippi Blues Commission
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